This is a story about three friends aboard the Nautilus, a cantankerous submarine-like vessel that is commandeered by Captain Nemo, an elusive figure with a mind of steel and a impenetrable purpose in life. Captain Nemo has long ago turned his back on the world, building this vessel with the intent of making it his home, staffing it with the most loyal of crews, and arming it as though it were a fortress. And a fortress it is. Captain Nemo and his crew live beneath the sea in this fascinating underwater vehicle as solid as stone. They never touch land, and are prepared to spend the rest of their days living underwater. The world has learned of this vessel, but rumors of its nature abound. Most think it is a sea monster of sorts, and the great ship the Abraham Lincoln sets out on a voyage to find and destroy the Nautilus. On board are Professor Aronnax, underwater expert, his loyal subject Conseil, and a Canadian whale harpooner named Ned Land. These unfortunate characters are tossed into the sea while heavily engaged in a confrontation with the mighty Nautilus. Hours later, they are picked up by the Nautilus, having been clinging to it's topside for safety. They are held prisoner within, but never have prisoners of war had such luxury and freedom. What follows is Monsieur Aronnax' account of the adventures that abound as he travels around the world underwater, seeing sights never before seen, engaging in activities he once only dreamed of, and enjoying times never meant to be had by man. When his companion, Ned Land, becomes restless and wishes to escape the Nautilus, the story heats up. Throughout, Captain Nemo is a mystery you will wish revealed. The story has many dull parts too, and many unfamiliar words and expressions that may bore you. Nevertheless, it is a fascinating and marvelous classic - if you have not yet read this, you should.

This is Verne's classic novel about Captain Nemo and his submarine Nautilus. What really fascinated me when reading this story and other Verne novels was not only Verne's contributions to the science fiction genre, but his founding of a whole new genre, one that, as far as I know, he has never been given credit. I think Verne was the first to write the techno-novel, a work that is filled with technical details ala Tom Clancy. For this novel, Verne did considerable research to describe what was known as accurately as possible. Professor Arronax and his servant Conseil board a U. S. ship that is searching for a monster that has sunk a number of other ships. They discover that it isn't a monster at all but a submarine, captained by a mysterious man known only as Nemo (Verne will present readers with Nemo once again in "The Mysterious Island"). Arronax, Conseil, and an American harpooner named Ned Land travel with Nemo and see many wonderous things and have many adventures. Verne's "Twenty Thousand Leagues Under the Sea" has gotten some very poor reviews over the decades since it first appeared in 1869. In many cases, it was because of the translation and not because of Verne. A number of the early translators inserted their own sections with their own ideas and opinions and deleted much of Verne's own words. So, readers should be aware of the translator. I read an excellent translation by Walter James Miller that was also annotated. Such an annotated volume can prove to be very helpful to teenagers getting acquainted with Nemo and his submarine.

This brilliantly crafted novel of epic proportions, tell of the adventures of Professor Pierre Aronnax, his servant Conseil, and Ned Land, a Canadian harpooner, as they are held captive aboard a submarine by a mysterious man who goes under the name Captain Nemo. Although they are in a sense prisoners, they are allowed to use all the facilities aboard the submarine. This submarine, powered by nuclear energy and christened the Nautilus, is one of Verne's many brilliant predictions of modern life made throughout many of his works. This like may others was correct. Through out the book, the reader gains a vast knowledge of marine life, and the lives of people in distant lands.

The book begins when Professor Pierre Aronnax, the narrator of the story, boards an American frigate commissioned to investigate a rash of attacks on international shipping by what is thought to be an amphibious monster. The supposed sea creature, which is actually the submarine Nautilus, sinks Aronnax's vessel and imprisons him along with his devoted servant Conseil and Ned Land, a temperamental harpooner. When they are returned to their senses, the find themselves inside a dark, gloomy, desolate, endless, predicament. They are locked in a cell. However they soon meet Captain Nemo who agrees to let them move about the ship freely on one condition. They must remain aboard the Nautilus. So begins a great adventure of a truly fantastic voyage from the pearl-laden waters of Ceylon to the icy dangers of the South Pole, as Captain Nemo, one of the greatest villains ever created, takes his revenge on all society.

The detail that Verne pours into this book is amazing. This is one of the few books that are capable of making the readers feel that they are actually there. His descriptions of how the Nautilus operates, how Nemo's crew harvests food and his account of hunting on Hawaii are excellent, and the plot never falters. The characters are wonderfully scripted; each one having their own unique personality, and they are weaved flawlessly into the awe filled spectacle.

This is the book that predicted that there would be submarines, and that submarines would eventually go to the South Pole. It predicted the development of the SCUBA suit; it even predicted nuclear powered ships. The technology used in this book makes it easy to understand even today. This book is widely recognized as a classic- in my view, correctly.

I was inspired to read The Man in the Iron Mask after seeing the movie (the one with DiCaprio). I hadn't realized that the Musketeers were part of the story and was very intrigued. Which plot lines were in the original and which were developed by Hollywood? Wow! Was I in for a surprise! The movie and the book tell different stories, but both are excellent, entertaining, and thought-provoking.

I appreciate books/series which show how the characters have aged and developed. Dumas does this with the musketeer series. D'Artagnan is no longer the wide-eyed "Gee, what could happen to me next?" hero of The Three Musketeers. He has to deal with questions of loyalty vs. friendship, support for the king vs. honor vs. love of his friends. There are still adventures and swordfights, but also more character conflicts. There is no simple nasty villain for the "good guys" to fight.

When I first read The Man in the Iron Mask (the movie tie-in edition), I was confused about who many of the characters were. The beginning didn't make much sense since it came in part-way through the story. The first line of the first chapter in particular confused me since it referred to events which I as the reader knew nothing about. The book makes a lot more sense when read as part of the whole series (The Three Musketeers, Twenty Years After, The Vicomte de Bragelonne, Louise de la Valliere, The Man in the Iron Mask).

I STRONGLY suggest reading the Oxford World Classics edition, which starts with earlier chapters than other published versions and includes scenes that make the story more understandable: Athos confronts the King, Aramis reveals himself as a Jesuit and scopes out the Bastille, D'Artagnan confronts the King... These are some of the best scenes in the book, and it is a shame that other publishers don't include them.

Alexandre Dumas is my favorite story teller. He pieces together a story better than any other writer I have ever read and he makes tales of swashbuckling men and fair maidens completely engaging even two hundred years after that lifestyle died out. He writes romantic novels, where all the characters embody both virtue and vice and are people you wish you knew. I have not seen The Man in the Iron Mask movie, but from what I hear the book and movie are not very similar. The book, however, is an incredible creation, you will learn a lot about the history of the French monarchy, you will fall in love with the characters, and you will want to go out and read the rest of Dumas's books. I can not say enough how much I liked this book.

This book only marginally resembles the recent movie. The last of The D'Artagnan Romances, a series of six romances spanning forty years and written by Alexandre Dumas in the mid-1800s, The Man in the Iron Mask presents Athos, Porthos, Aramis, and D'Artagnan aligned against each other politically, but always joined together in spirit and friendship. The series vividly recreates the courts of Louis XIII and Louis XIV, as seen from the perspective of the four Musketeers. The intrigue and adventures of these four men carries the reader into their lives, loves, and tragedies. In The Man in the Iron Mask, Philippe's struggle with his identity and his attempt to rule France serves only as a backdrop to the complex relations of the characters. Dumas' flamboyant writing style enhances the intricate splendor he describes. A master wordsmith, Dumas was extremely successful in France during his life. The Man in the Iron Mask and the other D'Artagnan Romances are based on the Memoirs of Monsieur D'Artagnan, written by Courtils de Sandras. Dumas' other great success was The Count of Monte Cristo. ...The D'Artagnan Romances are: The Three Musketeers, Twenty Years After, The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in the Iron Mask.

Jim Hawkins, a young man living in rural England with his parents, helps run an inn with his parents. His life changes forever when a mysterious dying pirate takes residence at the inn. The shadowy pirate is often on the lookout for strangers who begin to show up in search of the pirate. Rum finally takes its toll on the pirate and he dies, leaving behind a mysterious chest that the strangers are interested in. Upon examination, Jim discovers a treasure map.

With the help of Jim's adult friends, a crew is formed to go in search of the pirate's buried treasure on a remote tropical island. The journey is uneventful until, Jim saves the day when he realizes that their crew consists mainly of pirates who hope to cause mutiny upon reaching the island. Ultimately, a raging battle takes place on the island where Jim and his friends must outwit the pirates who are led by the one-legged Long John Silver.

For a children's book, this book had a lot of inappropriate material - drinking and violence. I also had a tough time with the old-English writing style and the nautical terms. This book was ahead of its time, though, in terms of the adventure it described, but I was hoping for more. Fans of H. Rider Haggard (ala King Solomon's Mines) will enjoy this book but I was sort of happy to be done with it as some parts were engaging and others were muddled.

"Treasure Island" is the classic adventure novel by Robert Louis Stevenson. Set on the high seas amid treasures and pirates, it is the story of a young boy's adventure. "Treasure Island" has been done by everyone from Disney to the Muppets. It's been imitated many times and influenced countless books and movies.

A mysterious pirate shows up at an inn owned by Jim Hawkin's mother. The pirate is killed by a gang of rogues, but Jim finds a treasure map belonging to the pirate. Jim then embarks on a journey to far away island to find the treasure. Of course, nobody can be trusted - especially the cook, Long John Silver. With his peg leg and parrot, Silver is the stereotypical pirate. Once the island is reached, sides are chosen - the mutinous pirates against the ship's crew. Jim goes on a journey within a journey on the island, going from one side to another, as the treasure is hunted for.

Everyone should read this book at some point. It's especially good for young boys, due to the fact that the main character (Jim) is a young boy. It's well crafted, and easy to read. And it's hard to put down once you get going. What else can you ask for?

I never did read this book as I was growing up and have now read it for the first time as an adult. I always thought that this book would not be very good but I was wrong.

I write this review for those students who may hesitate to read Treasure Island. This book is a story of high adventure. In it is the tale of a young boy who comes to possess a treasure map and goes off on a whirlwind adventure filled with sea voyages, pirates, island adventure and treasure. Stevenson wonderfully portrays the characters of young Jim Hawkins, the hero of the book, the fabled Long John Silver, Billy Bones and Ben Gunn. Each adds their own sense of mystery and suspense to the story. The settings of the story from the Admiral Benbow Inn to the Hispaniola, their sailing vessel, to the island itself are very vivid and make you feel as if you are really there. The adventure to and finally on Treasure Island is filled with secret meetings, battle scenes and a quest to find a long since buried fortune in gold. The novel is truly great and is a very entertaining and interesting read.

For those adults who have never read this novel definitely read it and for those who have already read it, read it again it is well worth it. The swashbuckling adventures of Long John Silver and his men, along with Jim Hawkins, are truly timeless. If you have children of age, share the story with them. It is truly a family classic worth sharing with generations to come.

It's a real shame that Jack London coupled one of his most fascinating and full-blooded characters with a stinker of a love story which carries no conviction.

Maud Brewster, like many of London's female characters (from Skeet, Curly and Mercedes in The Call of the Wild to Beth, Alice and Collie in White Fang), is underdeveloped, a mite hysterical, and completely dependent on the male characters. Without much in terms of psychological complexity, Maud provides a poor, poor reason for Humphrey Van Weyden to rebel against Wolf Larsen.

The first half of this book and its final few chapters are superb because London's male characters and their struggles are vividly portrayed. The knife-whetting contest between Mugridge and Hump; the homoerotic segment where Hump tends to a naked and wounded Larsen; Johnson and Leach's struggle against Larsen's iron fist -- London obviously loves these characters and gives them the light of day. Maud is another story.

In any event, the first half of this book is the top-notch tale of a Miltonic hero's slow slide from power, and the ending a moving fulfillment of this character's destiny (life, in the end, *is* yeast...but a savagely active and beautiful yeast, at that). Another one of London's terrible worlds unfolding its brutal majesty before us -- and, of course, another book inexplicably relegated to the children's section of many a book store.

Jack London's stated intention in writing this book was to place a man and a woman, both intellectual, well-to-do, yet socially soft (physically and psychologically). into the very challenging world of a seal hunting boat and watch them strive for survival. In this context, he has created one of the most fascinating characters of all literature, Wolf Larson, the inhuman captain of the "Ghost." Larson takes great delight in the suffering he brings to Humphrey Van Weyden and Maud Brewster, but they steadily grow to meet the challenge. This book can be read and enjoyed on two levels: As a rousing sea adventure, or as a discourse on society and sociology. Jack London is my favorite author -- I am in the process of collecting first editions of all fifty of his books -- and yet I find Sea Wolf ranks head and shoulders above all his other works. It could explain why this story has been turned into a film seven times, more than any of his his other stories, including The Call of the Wild. Two of cinema's great Wolf Larsons have been Edward G. Robinson and Charles Bronson.

The Sea Wolf is a gripping, thrilling and stunning peice of work. Van Weyden and Larsen come to grips with eachother and with themselves in this book. The confrontation scenes between the two are amazingly written and the stark realism of the boat, it's crew and the violence that is almost an everyday occurence combine to make this a book that can not be put down.

The introduction of the female slows the book considerably but in my honest opinion, the ending is fine. Larsen's final fate is surprising and heart rending. The repeated phrase "Bosh" leads to one of the books best moments. While I wish London hadn't included the female, the book is well worth the read. At least before the female comes in, the book is darkly violent and challenging. The social implications of the debates between Van Weyden and Larsen are extremely sobering. All in all, this book is one of the best I have ever read. Brilliant is the best word I can come up with.

Few works of adult literature are so well known that they become embedded in our cultural fabric the way that Oliver Twist has. Perhaps it is because the title character is a loveable, sympathetic, young boy that the story, over time, has come to be mistaken by some for a children's tale. And perhaps it is because I feel like I have known the story all my life that I only recently realized that I had never, in fact, read the novel. So as I sat down to (finally) read this book, it was with a sense that I was simply revisiting a cherished story from my youth. But as I quickly realized after a very few pages, this is adult literature in all respects - in its sophisticated, intelligent prose, its rich plot, its elaborate cast of characters, and, yes, the occasional depiction of gruesome violence.

Surely even those who have never read this Charles Dickens' classic could recite the basic elements of its plot. Who among us is unfamiliar with the story of the young orphan who musters up the courage to ask, "Please, sir, I want some more." And yet this novel is so much more than a mere rags-to-riches story. It is also the heartwarming story of the triumph of good versus evil and of the human spirit's ability to face down adversity. Dickens pits an innocent child against the dangers of an uncaring world, and the story's happy ending is at once a celebration of Oliver's innocence and an affirmation of all that is right and just in society.

Though the prose can be tedious at times, Dickens' mastery of the English language is difficult not to appreciate. And while some may find the plot cliché, there is sufficient tension throughout the novel to maintain the reader's interest. For myself, I was continually surprised, as the chapters unfolded, to realize how much more there was to this classic than simply a story about an orphan who falls in with a gang of unruly pickpockets. This is definitely worth reading, even if you feel like you have already read it as a child.

For the younger reader exploring Charles Dickens, this abridged version will not be intimidating. It'll help open the door to classic literature, and challenging ideas.

"Oliver Twist" is a complex story about the English welfare system for orphans, overlayed by a story of love, family, and the pursuit of each.

What is missing from this version is Dickens' long descriptions and thorough presentations of a situation. What makes Dickens great, in part, is his multi-woven characters, filled with color and excitement. Some of that is lost here.

That said, this is an excellent choice for an older child having trouble reading, or the younger, aggressive reader. The story about Oliver Twist is strong enough to endure an adaptation, but, later on, it is a thrill to read the original version.

I fully recommend "Oliver Twist" by Charles Dickens.

Anthony Trendl

The creative novel Oliver Twist, written by Charles Dickens in 1838, defines a classic of all times. This intense story reflects a young boy's life in London with no family or place to go. Oliver's mother dies while giving birth to her son in the beginning of the book. Oliver's father remains unknown. Throughout the book the reader sees constant struggles. Oliver is befriended by Fagin and his company. Fagin, along with the Artful Dodger, invite Oliver to stay with them and become a thief. During one of Oliver's pick pocketing adventures; he is caught by Mr. Brownlow. Instead of reprimanding the young lad, Mr. Brownlow decides to raise him. Oliver desperately searches for the answer to his past while trying to stay alive on the streets of London. Ironically, Mr. Brownlow is Oliver's grandfather. A dominate theme of Oliver Twist examines the importance of family. Oliver's early years taught him to fend for himself and he suffers from never experiencing a loving and nurturing childhood. The setting of the book plays a powerful role as the story unfolds. Dickens describes the setting of London and all the places that Oliver stays very descriptively. "The street was very narrow and muddy, and the air was impregnated with filthy odor. The walls and ceiling of the room were perfectly black with age and dirt..." (page. 56). Dickens explains the facilities that were available to poor Oliver and makes them sound unbearable. He does an excellent job making the setting come alive and allows the reader to plight. I would recommend all readers at some point in life to delve into this classic. I found Oliver Twist very moving and towards the end hoping only the best for poor Oliver.

Upon completing this book, I was amazed that this was published when it was (1898?). I was expecting a sugar-coated portrayal of Martians invading England - "Oh, I say, we're under attack!", or some such nonsense. What I got was a very enjoyable book that didn't pull any punches when depicting the chaos, destruction, and death that results from this invasion. His portrayal of the Martians and their technology beats anything that I've read in contemporary science fiction.

The only problem I had with the book was Wells' narrative. The story provides far too much detail at points, giving exact times and locations for minor events which I'd think someone who survived a disaster would have a hard time recollecting. With the overwhelming number of locations for events presented to the reader, you'll need a map of the London area in order to stay on top of things.

Additionally, Asimov's afterword is very insightful, and the cover by Roger Dean is great.

War of the Worlds has been around since 1898. I first read the book more than 50 years ago. I have read it again many times since and still marvel at the superb descriptive narrative by Mr. Wells of a county in England (Surrey) that was "ground zero" for the Martian Invasion. A most important factor in the story is the Martian's ability to manufacture the raw materials to build their invasion machines here on Earth. They were, in effect, made from Aluminum - a metal that, before the 20th century, was considered more precious than gold because of the enormous cost of extracting it from the ore. This made the novel very prophetic, and even more so the description of the Martian's "Heat Ray" further advanced Mr. Well's technologial prophecy. Nowadays, we use both aluminum and lasers daily. The book's charm, with regard to the "invasion", was described in detail by Herbert Wells of the evacuation of London and surround areas with nothing more technologically advanced than the railway to escape the advance of the invadsion force. I still find it hard to travel to Leatherhead by train without wondering how it would have been a century ago if it had really happened. A full 5 stars to the man who was a true visionary of technology. A MUST to read. Forget the 1950's movie of the same name. No comparison. Will anyone out there make a TRUE period movie of this event?! I hope so.

Okay folks, this is it. The very first alien invasion novel and it's 101 years old this year. That's right, over a century.

Yet this is still a wonderful book to read. Sure, we know there aren't any real Martians. Put that aside. The straight forward Victorian narrative style is odd and strangely formal by today's standards. But that's part of what sets the scene.

Here is a book that has all the basic elements of the genre - and Wells got them right the very first time. Better, in fact than most modern writers. There aren't any heroic moves we can make to save ourselves. There's no hero that defeats the Martians through cleverness and clean living. The Martians are centuries ahead of us technologically and we're going to lose. Period. Is that realistic enough for you?

How about a writer that predicts tactical battlefield lasers, chemical weapons, armored mechanical fighting vehicles, interplanetary spaceflight and computer controlled robots up to ninety years ahead of reality. Pretty impressive stuff that STILL hasn't come to pass in some cases, even though we can understand such things now. Imagine someone who takes a horse-drawn carriage to town conceptualizing battlefield lasers. That's what Wells did when he wrote this novel.

But most of all this book is there for its commentary on humanity - Victorian imperialism and lack of humility, the arrogance of invulnerability just waiting to be burst. Watch a cultured society crumble in the face of harsh reality. Watch us devolve into elemental things once more, as we learn what it means to be dominated as we have dominated other, less advanced cultures. Wells' book was meant as a commentary on English Imperialism and arrogance, but that lesson still has relevance today, whether you apply it to superpower politics or global environmentalism.

Take the time for this book. It's worth it.

I read MISTS OF AVALON and FOREST HOUSE several years ago, only recently rediscovering my delight in Marion Zimmer Bradley and her treatment of the Arthurian legends. LADY OF AVALON, like PRIESTESS OF AVALON, offers the rich history of the generations between Caillean and Viviane. Because LADY is really 3 stories -- Caillean and Sianna, Dierna and Teleri, Ana and Viviane -- it works more directly to strengthen the mystical connections between the primary characters from generation to generation. The trade-off is that each story is more of a mini-history than an epic read, but it fills in the blanks about the evolution of Avalon and the relationship of the sacred isle with the rulers of Britain before Arthur/MISTS. In each story here, MZB explores the complex relationship between the current Lady of Avalon and her successor-in-waiting, as well as the repetition of the primal drama/love story of the marriage between Avalon and Britain (the Lady and a mortal king). The relationships between the women and their mentors/mothers were actually more complicated and interesting. I enjoyed experiencing all the connections that this volume in the series prompts, and it sent me back happily to check details about the Forest House. With PRIESTESS, which in a subplot offers Eilan's perspective on Teleri's story, this proved a very satisfying return to Avalon.

After reading the _Mists of Avalon_, I considered it totally impossible for any book to even approach that elegance of writing. However, with _Lady of Avalon_ one does find trace elements of that wildly beautiful imagery that Marion Zimmer Bradley so masterfully captured in _Mists_. I would definitely recommend this book as a...stepping-stone, if you will, to greater understanding of MZB's Avalon.

The story itself is fairly straightforward, in three parts: the life and death of Gawen, son of Eilan; the Roman-era Carausius and High Priestess Dierna; and the more familiar Viviane's life as a young adult, from her childhood through the day she became High Priestess.

With Gawen, one finds the continuation of the Sacred Line as was started by the High Priestess of the Forest House at Vernemeton, Eilan. Those who have read _The Forest House_ have already heard the long tale of Eilan's and Gaius Macellius Severus Silucirus' forbidden union which produced Gawen. In _Lady of Avalon_ it is revealed that after his mother's and father's violent deaths, Caillean took Gawen to the Vale of Avalon. There, he grew to manhood,had a child with the daughter of the Queen of Faerie, Sianna, and subsequently was murdered by Romans (a common theme in MZB's Avalon, isn't it?).

After that sad episode the Sacred Line goes through many generations (MZB talk for "time passes") until the era of the Roman Empire in which Carausius and Dierna are the incarnations of the Sacred Line. Because of a twisted love triangle, they end up conceiving a child, after which Carausius is subsequently murdered by Romans.

Many years later, Ana is the High Priestess, the Romans are somewhat of a joke, and her only living daughter, Viviane, is taken to Avalon, where she eventually becomes a priestess and has her short-lived daughter with the son of Vortigern.

In all, this book was passionate and fantastical, while remaining true to MOA. I would definitely recommend it to any Arthurian fan.

Having recently read this amazing book, I wish to share my thoughts with those who have not yet been lucky enough to read it. There are few authours in the same class as MZB, and this book was well worth its pricetag. The book begins by contuning the story of Callean, priestess of the "Forest House". Bradley does well to weave this book in to her cloth of Avalon tales, and it fits snugly into place between the "Forest House" and "The Mists of Avalon". This book comes highly recommended to any fan of her work, and is a fantastic means of escapism. The characters are deeply rooted in Celtic and Roman beliefs and come to life before your eyes on the pages of magically worded text. This trilogy of books is sure to be regarded as some of the best writing of this gendre.

from a huge fan--have read most of her books over the past ten years. This one lacks the passion and compelling characters of her other books. Try other Barbara Delinsky books instead.

This is only the second book I've read by Barbara Delinsky, the first being Three Wishes, and I definitely enjoyed this one more than the other. The setting is a beautiful town in New Hampshire called Lake Henry, where the residents are very protective of their own. Lily Blake was born in Lake Henry but left to pursue some career dreams. She has a wonderful life in Boston as a teacher and a part-time job in an exclusive private dinner club playing the piano and singing. She also has a close friend, Fran Rosetti, who has just been elevated to Cardinal in the Catholic church. Of course, now that Lily's life is almost perfect, something has to come around to destroy it. That something is Terry Sullivan, a journalist, who prints a damaging story of the relationship between Lily and the new Cardinal. The story is untrue but the damage has been done and Lily returns in shame to her hometown.

The good news is that Lily finds strength and support from her former neighbors. She also rekindles a friendship with John Kipling, who has also returned home to Lake Henry and is now the editor of the local newspaper. Together, they forge a bond and find out that there is strength in numbers. Was this another Thorn Birds? Definitely not....just a good, well-written, enjoyable book.

I've never read a book by Barbara Delinsky I haven't enjoyed. So why did it take me nearly two years from the time I bought LAKE NEWS to read it? I'm not sure, but I am sorry I didn't read it sooner. This is a fabulous story and very timely.

Lily Blake has had a longterm friendship with Father Francis Rosetti. When he is elevated to Cardinal, an unscrupulous newspaper reporter, in his attempt to dig up some dirt, accuses Lily and Father Rosetti of having an affair. This results in a media frenzy, Lily losing her jobs (music teacher and a singer/piano player at a private club) and having to flee her Boston home.

Unable to afford an attorney to help clear her name, she seeks refuge in her hometown of Lake Henry, New Hampshire. Although she hides out at first, Lake Henry takes care of their own. Befriending her is John Kipling, the editor of the local newspaper, THE LAKE NEWS.

John has always wanted to write a book and with the news of Lily's alleged affair he feels he has the perfect subject. When he discovers her pleas of innocence, he decides the theme of her story can be the misuse of power by the press and paparazzi (which at one point in the story are called "princess murderers). But as he gets to know Lily and begins to fall in love with her, it's clear that his goals have to be something a bit different. He attempts to exonerate Lily by discovering what made the reporter want to exact revenge on Lily and/or Father Fran in the first place.

This is a compelling read, absolutely unputdownable. I was up until nearly 3 AM in the morning finishing it. Delinsky is a wonderful writer and storyteller! Both John and Lily have issues with their parents to deal with in an attempt to get to know themselves better. There's a wonderful little secondary romance between Lily's younger sister and a writer who is also attempting to write a book on the brouhaha. I also loved the way Lily dealt with her 10-year-old niece, Hannah, an awkward child who just needs some extra TLC.

And how, do you ask, do you follow-up such a wonderful read? By reading another Barbara Delinsky book, of course! I'm off to grab THE VINEYARD off my TBR pile!

Maudeen Wachsmith, Charter Member Reviewers International Organization (RIO)

Don't get me wrong. I'm a big Elinor Lipman fan. "Then She Found Me" is a classic. I've read it several times. I was expecting a little more from this book and never quite received it. It was written in typical Lipman style (which I love), but I wasn't as swayed by the romantic relationships as I have been with her other books. Like some of the other reviewers here, I was enamored at the beginning but felt less enchanted as the book neared its conclusion. The inclusion of the character "Linette" toward the end felt oddly hasty and underdeveloped. Nonetheless, Lipman's fresh, sharp style and her always-witty dialogue made this book a pleasant late-summer read.

Calling Elinor Lipman's work "cute" is a bit of injustice, but that's just how I felt about this book. After reading this, I felt the same way I feel coming out of a great romantic comedy movie, all warm and fuzzy inside.

The book follows Natalie Marx who becomes intrigued/obsessed with an Inn who, when she was a child, did not allow her family to vist because they were Jewish. Natalie whowever, manages to find a way into the Inn through non-Jewish friends, and her commentary about the Inn and it's visitors, and the family who graciously allows her to vacation with them is hilarious. (And the gentile hottie Natalie becomes involved with is a pretty cool storyline too).

The back of this book contains a quote from the Chicago Tribune calling it a "punchy little comedy of manners. . .Think Jane Austen" and although way too many female authors get compared to "modern-day Jane Austens" this description actually fits. I highly recommend this book.

I happened on this book while browsing Amazon. I couldn't put it down. Very light reading, but interesting. I ordered another book by this author as I love the way she writes. Her characters are fantastic and the stories intriguing. Super book!!

Revising fairy tales is common fantasy practice, but one wishes that Lackey had written with a bit more wit and punch in this Swan Lake reprise. In her earlier works Lackey wrote some complicated and interesting female characters. THE BLACK SWAN, however, presents us with an evil queen, an enchanted princess, and a young sorceress, none of whom transcend stereotype. The latter two are redeemed by their love for aristocrats, while the former receives her punishment at the hands of (you guessed it!) an evil warlock. The warlock is such a totally nasty guy that it's hard to believe that even his daughter the sorceress could initially believe him to be a decent human being, but that's the premise of the book--she gradually comes to awareness that her father is Not Nice. I waded my way through, but I kept wishing I was reading something else.

I thought this was such as beautiful book. It is basically the movie "The Swan Princess" but WAY better. It is much darker and...better.

Anyway,the main story is that Odette and her flock are enchanted by a evil sorcer, Baron Eric von Rothbart to be swans by day, and their true form, maidens, by night. Von Rothbart's daughter, Odile, is their "keeper." A queen, Clothilde, is planning to "accidentally" make her son, Prince Seigfried, somehow die. After many incedents, Odette and Seigfried meet and fall in love. Odette can remove the curse placed on herself and the flock if she can get a man (who is Seigfried) to fall in love with her and never cheat on her until her death. Seigfried promises this, but is tricked later, and...I'll leave the rest for you to find out.

What is loved most about the book was the characters. I liked how Seigfried changed from a rapist to a devoted lover, and how perfectly EVIL von Rothbart was, and how Odile was a terrific, yet imperfect, herione.

There were only two things I wished I could change about the story: I wanted to know more about Odette's feelings and such, and I wanted the story to go on longer.

I've always loved the story of the beautiful princess who was turned into a swan by an evil sorcerer and permitted to retain her true form only in moonlight. The Black Swan is a wonderful retelling of the Swan Lake fairy tale, with ideas from the animation version, The Swan Princess.

Mercedes Lackey produces a detailed and thorough account with insights on the characters - mostly of Odile, the daughter of the evil sorcerer von Rothbart (left out in The Swan Princess), Prince Siegfried, and Queen Clothilde (his mother), the ones that are generally overlooked. Odile is portrayed as an intelligent young woman, neglected by her father, whose only wish is his love and approval. However, von Rothbart cares little for her, especially since she is so clever and seemingly about to exceed himself. She is in charge of the flock of women-turned-swans, and finds friendship in them. Siegfried is a selfish lecher, until his actions come back to haunt him. (I thought that that was a shocking and revolting stage and I was really relieved when he changed his ways, though the transformation was a bit odd and sudden, and he didn't give up all of his bad habits.) Clothilde adds excitement to the story, a factor new to the whole Swan Lake plot. The scheming queen will do anything to ensure that the throne is hers alone.

Though I appreciated the elucidation of the characters surrounding the story, I was kinda bummed that Odette was pushed to the very back and we are given almost no details on her character, except in a rare occasion through Odile. I wanted to know a bit more on her past and her development - she is after all, the "main attraction", the center of the story. Nevertheless, The Black Swan is a really satisfying retelling of Swan Lake. I'm glad that it still followed the main story line and wasn't too much of a heavy fantasy (I can never make out the weird names, kingdoms, and magical aspects). This is a great book for mature readers (I say this because the content is a bit dirty at times), especially fans of fairy tales and fantasies!